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"Aqua Terrace" is an in-ground sculptural installation designed to engage and educate the public about water absorption, runoff, and flooding within urban areas of Philadelphia. The mosaic-like installation serves as a visual demonstration of water absorption rates of permeable materials, making visible their ecological benefits of filtering pollutants, beautifying the landscape, and providing ample drainage to prevent flooding.
The installation, landscaped directly into the ground, is made up of permeable surface materials such as decorative stone, gravel, crushed brick, color glass, soil and native plants. As rainwater runs through the piece, viewers can contrast the absorption of the porous surface with nearby concrete, asphalt, or cement paving.
WATER TABLE is a site-specific Art Installation that illustrates the benefits of permeable ground surfaces. The piece was designed and created by Philadelphia area artists Nancy Agati (myself) and Rebecca Schultz for the New Jersey Coastal Climate Resilience Art Project.
The WATER TABLE art installation is comprised of natural, permeable materials that have been locally sourced. These materials absorb water more efficiently than the surrounding pavement, which viewers will observe when it rains. The concept is to educate coastal residents about the benefits of permeable surfaces specifically in areas that experience coastal flooding. The image in WATER TABLE is based on a map of Atlantic City, referencing the impacts of sea-level rise on the region.
The WATER TABLE project was funded by the National Oceanic and Atmospheric Administration, the New Jersey Coastal Management Program, and the New Jersey Department of Environmental Protection, in partnership with the NJ State Council on the Arts and the Atlantic City Arts Foundation.
Working with the Atlantic City Arts Foundation and community volunteers, the artists completed the installation on August 13th, 2021 at the Absecon Lighthouse in Atlantic City. The installation will be on view at the Absecon Lighthouse, 31 S. Rhode Island Ave, Atlantic City, NJ 08401, through November 2021.
Title: WATER TABLE
Medium: Site-specific Art Installation
Materials: gravel, stone, shell, sand, sea glass, recycled glass, and mulch
Size: 16' x 12' x 6"
Artists: Nancy Agati and Rebecca Schultz
Watch: Climate Art in Four Acts
WATER TABLE
permeable surface installation 2021
gravel, stone, brick, shell, sand, sea glass, and mulch
WATER TABLE
at The Absecon Lighthouse, Atlantic City, NJ
WATER TABLE
Aerial View
WATER TABLE
Detail View
WATER TABLE
Detail View
WATER TABLE
Information Signage
WATER TABLE
Artists Rebecca Schultz and Nancy Agati installing permeable materials
WATER TABLE
Volunteers from Atlantic City Arts Foundation assist with installation
Basins and Borders
A permeable materials partner project to the WATER TABLE installation
Basins designed for the Ecotopian Toolmaker Project with Penn Program in Environmental Humanities, 2022
Basins and Borders
Ecotopian Toolmaker public workshop at the Independence Seaport Museum, Philadelphia June 2022
Basins and Borders
participant at the Ecotopian Toolmaker workshop
Basins and Borders
participant designed basin at the Ecotopian Toolmaker workshop
Blue Streak 1-January
mixed media on paper
plant-based and acrylic inks 30” x 22” 2022
sold
Blue Streak 2 -January
mixed media on paper
plant-based and acrylic inks 30” x 22” 2022
Blue Streak 3-February
mixed media on paper
plant-based and acrylic inks 30” x 22” 2022
Blue Streak 4-February
mixed media on paper
plant-based and acrylic inks 30” x 22” 2022
Blue Streak 5-February
mixed media on paper
plant-based and acrylic inks 30” x 22” 2022
sold
Blue Streak 6 -August
mixed media on paper
plant-based and acrylic inks 30” x 22” 2022
Blue Streak 7 -September
mixed media on paper
plant-based and acrylic inks 30” x 22” 2022
Blue Streak 8-September
mixed media on paper
plant-based and acrylic inks 30” x 22” 2022
Blue Streak 9- October
mixed media on paper
plant-based and acrylic inks 30” x 22” 2022
Undercurrent…Et al. includes large-scale paintings/works on black paper from the Undercurrent and Critical Trends series and recent works Awe or Oblivion 2023.
The primary subject of each piece relates to water and landscape exploring the manner in which humans observe, interact, and/or impact the flow. Each painting in the series consists of overlapping layers of handmade clay and slate pigments interspersed with inked lines, building depth and cyclical motion - revealing variations of reflection, formations of flow, fragments and splintered motion.
While the formal aspect of each series focuses primarily on qualities of movement - land and water, the conceptual investigation attempts to present, and understand the multi-layered, often obscured characteristics of our everyday contemporary lives. As things are revealed, so much more is covered up, layered, and concealed.
Terzi (3rds)
mixed media painting on paper
70” x 50” 2023
The Color of Aether
mixed media painting on paper
66” x 48” 2023
Redline _ Critical Trends
mixed media painting on paper
ink, clay slip, slate, and polymer 44”x 30” 2021
Undercurrent _ Rally or Risk
mixed media painting on paper
ink, clay slip, slate and polymer 72”x 47.5” 2020
Undercurrent _ Rift
mixed media painting on paper
ink, clay slip, slate and polymer 61” x48.5” 2020
~sold
Undercurrent _ Piscina
mixed media painting on paper
ink, clay slip, slate, and polymer 65” x 50” 2019
~sold
Undercurrent _ Turbine
mixed media painting on paper
ink, clay slip, slate and polymer 59.5” x49.5” 2018
Undercurrent_Celeste
mixed media painting on paper
ink, clay slip, slate and polymer 60"x 48” 2016
~ sold
Undercurrent I
mixed media painting on paper
ink, clay slip, slate and polymer 60” x 48 " 2016
Aimco- Parke Towne Place Collection
~sold
Undercurrent II
mixed media painting on paper
ink, clay slip, slate and polymer 60" x 48 " 2016
Aimco -Park Towne Place Collection
~sold
Francesca 1
mixed media on paper 28.5”x28.5” 2018
sold
Francesca 2
mixed media on paper 28 2/3”x 28 5/8” 2018
sold
Francesca 3
mixed media on paper 29.75”x 30” 2019
sold
Francesca 4
mixed media on paper 31”x 30.75” 2019
sold
Francesca 5
mixed media on paper 30.25”x 30.5” 2019
Francesca 6
mixed media on paper 30.5”x 29 5/8” 2019
~sold
Francesca 7
mixed media on paper 30”x 29 5/8” 2019
Francesca 8
mixed media on paper 30”x 30.75” 2020
Francesca 9
mixed media on paper 29”x 27.5” 2020
Francesca 10
mixed media on paper 28 5/8”x 27 5/8” 2020
Nectar is an exploration of the curvilinear patterns of Paper Wasp nests. The concept is to allow for the patterned layers to determine the overall form and movement of the piece.
The project began with one abandoned nest on three pages, however with donations of wasps nests from as distant as Canada and as close as my Philadelphia neighborhood, it has since grown and expanded to fill 21 pages. The plan is to continue to expand using all collected nests.
Nectar was exhibited in Montreal and Parrsboro, Nova Scotia for the None Such Paper Exhibition 2016. The work was selected for the Creative Paper Construction Award.
Nectar
wasps nest paper on black paper with india ink drawing - stitched
detail 127" x 89" variable 2016 (ongoing)
Nectar 2016 (ongoing)
Nectar _ detail 2016 (ongoing)
Nectar 2016 (ongoing)
Nectar 2016 (ongoing)
Nectar II
wasps nest paper on black paper with india ink drawing - stitched
89” x 84” 2019 (ongoing)
~Ripple Effect was a large-scale, circular, carved wooden sculpture designed and constructed for Fluid 2015.
Patterns from the movement of water along Snug Harbor Bay served as surface imagery carved into each segment of the circular form.
Visitors and community members assisted with carving the wooden planks that formed the structure. The process and completed sculpture engaged the community in a creative process and helped connect public viewers to the presence and flow of water at the bay.
~Ripple Effect
Carved wood sculpture - pine and spruce, copper, steel and gravel - 7' diameter
Installation at New House Center for Contemporary Art, FLUID 2015 Snug Harbor, Staten Island, NY May 2015- March 2016
~ Ripple Effect
Public participant carves harbor water pattern on woodblock panel for FLUID exhibition.
Installation at New House Center for Contemporary Art, FLUID 2015
Snug Harbor, Staten Island, NY May 2015- March 2016
~ Ripple Effect
Installation at New House Center for Contemporary Art, FLUID 2015
Snug Harbor, Staten Island, NY May 2015- March 2016
~Ripple Effect
Carved wood sculpture - pine and spruce, copper, steel and gravel - 7' diameter
Installation at New House Center for Contemporary Art, FLUID 2015
Snug Harbor, Staten Island, NY May 2015- March 2016
~Ripple Effect
Carved wood sculpture - pine and spruce, copper, steel and gravel - 7' diameter
Installation at New House Center for Contemporary Art, FLUID 2015
Snug Harbor, Staten Island, NY May 2015- March 2016
Ripple Effect - viewer
Carved wood sculpture - pine and spruce, copper, steel and gravel - 7' diameter
Installation at New House Center for Contemporary Art, FLUID 2015
Snug Harbor, Staten Island, NY May 2015- March 2016
~Ripple Effect at LUMEN Festival 2015
Carved wood sculpture - pine and spruce, copper, steel and gravel - 7' diameter
Installation at New House Center for Contemporary Art, FLUID/LUMEN 2015
Snug Harbor, Staten Island, NY May 2015- March 2016
~Ripple Effect at LUMEN Festival 2015
Carved wood sculpture - pine and spruce, copper, steel and gravel - 7' diameter
Installation at New House Center for Contemporary Art, FLUID/LUMEN 2015
Snug Harbor, Staten Island, NY May 2015- March 2016
~Ripple Effect
Public participant carves harbor water pattern on woodblock panel for FLUID exhibition.
Installation at New House Center for Contemporary Art, FLUID 2015
Snug Harbor, Staten Island, NY May 2015- March 2016
The intricately woven patterns from the Emerald Ash Borer larvae are in themselves elegant and remarkable in their design, yet the existence of such markings indicates the inevitable demise of the North American Ash tree.
Crated and Shipped exhibited three wooden crates constructed with the infested Ashwood taken from the Schuylkill Center property. Each crate displayed evidence of the infestation from the Emerald Ash Borer larvae. Most prominent are the swirling patterned, S-shaped, larvae trails along the exterior of the crates that signify the destructive paths of the Emerald Ash Borer larvae. These patterned trails, which indicate the cut-off locations of water and nutrients for the tree’s survival, also appear on the interior of the bark.
Crated and Shipped visually exposed the markings of the Ash borer’s presence, which went undetected in international shipping containers transported to the US, presumably prior to 2001. The Emerald Ash Borer infestation was first detected in Michigan in 2002. The installation included an interactive wooden map made from the dead Ash, identifying the US States affected by the Emerald Ash Borer.
Crated and Shipped
Installation for We All Fall Down Exhibition 2019
Schuylkill Center for Environmental Education, Philadelphia, PA
6’ x 3.5’ x 7’ variable
Crated and Shipped
Ash wood crate detail of Emerald Ash Borer larvae trails
Crated and Shipped
Interactive Ash wood map and statistical data
Crated and Shipped
Installation view
Crated and Shipped
viewers at We All Fall Down exhibition
Crated and Shipped
viewer at We All Fall Down exhibition
Crated and Shipped
exterior shot
Crated and Shipped
detail - map in process
Evident Cycle - a large-scale spiraling, fingerprint form floated on the surface of the Delaware River at the Penn’s Landing boat basin, Philadelphia.
FLOW Exhibition
Philadelphia Sculptor’s
Independence Seaport Museum
Philadelphia, October-December 2019.
Evident Cycle was constructed from cross-cut sections of driftwood collected along the banks of the Delaware River. Each piece was gathered from an area that merged a revitalized natural preserve and public park, with industry, commerce, and transportation. The driftwood sections are of various woods, each from unknown origins with unique textures, patterning, and color. Human interactions along the Delaware River have been constant throughout history. The spiraling fingerprint form referenced the cyclical occurrences of human contact on the shores of the Delaware River.
Evident Cycle
detail view
FLOW Exhibition 2019
Independence Seaport Museum, Philadelphia, PA
Evident Cycle
FLOW Exhibition 2019
driftwood, copper wire, fishing netting
14’ x 22’ variable
Independence Seaport Museum, Philadelphia, PA
Evident Cycle
viewer
FLOW Exhibition 2019
Independence Seaport Museum, Philadelphia, PA
Evident Cycle
viewers
FLOW Exhibition 2019
Independence Seaport Museum, Philadelphia, PA
Evident Cycle
FLOW Exhibition 2019
Independence Seaport Museum, Philadelphia, PA
This series of works on paper began in 2014 during the Tending Space, Art and Meditation Fellowship awarded from the Hemera Foundation. The paintings that make up the series draw from a specific set of design elements, which were repeated, rotated, and layered to form the image.
My approach was an attempt to embrace the Buddhist concept of not knowing or beginner's mind. Therefore, it was not surprising that the imagery shifts and transforms from one painting to the next.
Each composition has become a meditative technique for exploring seemingly boundless visual possibilities.
CONTINUUM -Zinc
mixed media painting on paper, mounted to panel
ink, gouache, clay slip and polymer 40" x 26" 2015
CONTINUUM -Royal
mixed media painting on paper, mounted to panel
ink, gouache, clay slip and polymer 40" x 26" 2015
Balaustra I
mixed media painting on paper, mounted to panel
ink, gouache, clay slip, slate and polymer 40" x 22" 2018
Balaustra II
mixed media painting on paper, mounted to panel
ink, gouache, clay slip, slate and polymer 40" x 22" 2018
Tombolo I
mixed media painting on paper, mounted to panel
ink, gouache, clay slip, slate and polymer 40" x 22" 2015/16
sold
Tombolo II
mixed media painting on paper, mounted to panel
ink, gouache, clay slip, slate and polymer 40" x 22" 2015/16
sold
CONTINUUM -Rosa
mixed media painting on paper, mounted to panel
ink, gouache, clay slip and polymer 40" x 26" 2015
CONTINUUM -Cerulean
mixed media painting on paper, mounted to panel
ink, gouache, clay slip and polymer 40" x 26" 2014
CONTINUUM -Naples
mixed media painting on paper, mounted to panel
ink, gouache, clay slip and polymer 40" x 26" 2015
PORTICO SERIES PRIMA
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2012
PORTICO SERIES SQUARED
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2013
PORTICO SERIES SLATE
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2012
PORTICO SERIES VOLO I
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2013
PORTICO SERIES VOLO II
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2013
PORTICO SERIES CORNICE II
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2013
PORTICO SERIES REGAL
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2017
PORTICO SERIES BASQUES
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2013 ~ sold
PORTICO SERIES DELICATA
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2012 ~ sold
PORTICO SERIES II
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2012 ~ sold
PORTICO SERIES CELESTE
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2012 ~ sold
PORTICO SERIES DELICATA II
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2013 ~ sold
PORTICO SERIES VOLO III
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2013 ~ sold
PORTICO SERIES METRIC
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2013 ~ sold
PORTICO SERIES METRIC II
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2013 ~ sold
PORTICO SERIES HARLEQUIN
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2012 ~ sold
PORTICO SERIES HARLEQUIN II
mixed media on paper ink, graphite, clay slip and acrylic 22" x 30" 2013 ~NFS
Laccio_Primus Nero
metallic thread on parachute cloth 12”x12”
2013
Laccio_Squared
2012
Laccio_Crux
2012
Laccio _ 5 stitches
2012
Laccio _Octo
2013
Della Vite/Vita…as of lines and forms
suspended linear sculpture made from bittersweet vines, bamboo, and copper wire
a page, a paragraph, a letter
at High School Park, Elkins Park PA July/August 2021
Della Vite/Vita…as of lines and forms
suspended linear sculpture made from bittersweet vines, bamboo, and copper wire
a page, a paragraph, a letter
at High School Park, Elkins Park PA July/August 2021
Fallen Flowers
Rhododendron flower petals on woven wooden hoop -suspended 24” diameter
at Meadowbrook Farms, Pennsylvania Horticulture Society, Jenkintown PA May, 2021
Forma Fiore
Installation detail - raw clay imprinted with natural materials
decomposed throughout six-week exhibition
Art Across the Academy
Germantown Academy Nature Preserve, Fort Washington, PA
Forma Fiore
Installation - raw clay imprinted with natural materials
decomposed throughout six-week exhibition
Art Across the Academy 2018
Germantown Academy Nature Preserve, Fort Washington, PA
Forma Fiore
Installation detail - raw clay imprinted with natural materials
decomposed throughout six-week exhibition
Art Across the Academy
Germantown Academy Nature Preserve, Fort Washington, PA
Forma Fiore
Installation detail - raw clay imprinted with natural materials
decomposed throughout six-week exhibition
Art Across the Academy
Germantown Academy Nature Preserve, Fort Washington, PA
Lariat
Gesture Drawing: wind and water - a 24 hour site-specific installation project
Linear vine drawings capture momentary activity on Wind Dance Pond.
Schuylkill Center for Environmental Education, Philadelphia 2009
FLOAT
Gesture Drawing: wind and water - a 24 hour site-specific installation project
Linear vine drawings capture momentary activity on Wind Dance Pond.
Schuylkill Center for Environmental Education, Philadelphia 2009
Surface
Gesture Drawing: wind and water - a 24 hour site-specific installation project
Linear vine drawings capture momentary activity on Wind Dance Pond.
Schuylkill Center for Environmental Education, Philadelphia 2009
Fluir
polyester/silk organza with burned markings track wind and water patterns 4- 5'x10' fabric panels
The Land/an art site, Mountainair, NM 2005
Fluir
polyester/silk organza with burned markings track wind and water patterns 4- 5'x10' fabric panels
The Nature of Language at The Land/an art site, Mountainair, NM 2005
Fluir detail
Fluir
polyester/silk organza with burned markings track wind and water patterns 4- 5'x10' fabric panels
The Nature of Language at The Land/an art site, Mountainair, NM 2005
TERRENO
textured raw clay, charcoal, clay slip, natural materials 12' diameter variable
site-specific ceramic installation designed to decompose over month-long exhibition
NCECA Conference, Haverford, PA 2010
TERRENO detail
textured raw clay, charcoal, clay slip, natural materials 12' diameter variable
TERRENO detail
TERRENO detail
TERRENO decomposed detail
FROSTED
red twig dogwood branches, wood, glue 26'x26'x18" variable 2013
studio shot
FROSTED
red twig dogwood branches, wood, glue 26'x26'x18" variable
FROST
Schuylkill Center for Environmental Education 2014
Spiral Antics
dry switch grass and reeds, bittersweet vine, glue
FROST
Schuylkill Center for Environmental Education 2014
Radiate
braided curly willow branches, bittersweet vine, acrylic with marble dust, glue
FROST
Schuylkill Center for Environmental Education 2014
Ornament
pine branches and white latex 3'x3'x3' 2006
blue sky view
Ornament
pine branches and white latex 3'x3'x3' 2006
contorno
silver foil contour drawing on tree root
Carpenter’s Woods, Philadelphia 2012
contorno
silver foil contour drawing on tree root
Carpenter’s Woods, Philadelphia 2012
Tela Rossa
red cloth wrapped in decaying tree trunk
Wister Woods, Philadelphia 2012
Tela Rossa _detail
red cloth wrapped in decaying tree trunk
Wister Woods, Philadelphia 2012
Virtual Public Art Project
LUMEN
Lumen - 5 circular forms that virtually hovered over the Schuylkill River within an augmented reality platform. This ephemeral piece had no actual physicality and could only be viewed through smart phone technology.
virtual dimensions 75'h x 500yds 2010
Virtual Public Art Project
LUMEN
virtual dimensions 75'h x 500yds 2010
Virtual Public Art Project
LUMEN (detail) 2010
BLOOM 2011
Virtual form based on lace patterning exists within an augmented reality platform at 34th Street and Girard Avenue, Philadelphia 2011
BLOOM 2011
Virtual form based on lace patterning exists within an augmented reality platform at 34th Street and Girard Avenue, Philadelphia
Sculpture
Installation
Mixed Media Natural Materials Projects
Selected Works on Paper
Monoliti
series of small sculpture assemblages
tree bark, roots, plant sections, slate, marble, hardwood, adhesive
5”x10 x 4” - sizes variable 2021
FLOATING
sliced vine, wire, glass pieces 5’ diameter
installation at Wissahickon Creek, Fairmount Park, Philadelphia 2006
7:15
silk with burned markings, vellum, wooden hoop 23" diameter 2006 image shot August 7:15 pm, sunset
7:15
silk with burned markings, vellum, wooden hoop 23" diameter 2006 image shot August 7:15 pm, sunset
TREES ARE LIKE WATER
digital photograph, light box, steel articulated arm, diffusion glass 57”x18”x4” 2007
TREES ARE LIKE WATER detail
digital photograph, light box, steel articulated arm, diffusion glass 57”x18”x4” 2007
BOTANICA
plant specimens on slate, wax, lab table, lamp, magnifier, stool 5’ x 2’ x 30” 2007
BOTANICA detail
plant specimens on slate, wax, lab table, lamp, magnifier, stool 5’ x 2’ x 30” 2007
BOTANICA detail
plant specimens on slate, wax, lab table, lamp, magnifier, stool 5’ x 2’ x 30” 2007
Ottanta Sette
lace pattern drawing sewn to parachute cloth, pieced together 5'diameter variable 2011
Ottanta Sette detail
Ottanta Sette II
bleached driftwood, lace string, wire, seed pods 6' diameter 2012 Monasterace, Calabria, Italy
Ottanta Sette II
6' diameter 2012
installation- il comune building Monasterace, Calabria, Italy
Ottanta Sette II detail
Angelina
palm branches, wire 6' diameter variable 2012
installed Lo Zio studio Monaterace, Calabria, Italy
Angelina detail
palm branches, wire 6' diameter variable 2012
installed Lo Zio studio Monaterace, Calabria, Italy
Sewn Line
tear away paper, thread, sewing machine & table 28”x40”x18” 2006
Sewn Line detail
tear away paper, thread, sewing machine & table 28”x40”x18” 2006
WE ARE BIRCH and WATER
birch bark, ink, sewn thread on paper 2009
WE ARE BIRCH and WATER detail
Centri
mixed media on paper
ink, wax, clay slip, rust, acrylic 36"x46" 2009 ~ sold
Centri detail 2009
Churn Ripple Flow
public participants carve woodblock panel along Schuylkill River
Churn Ripple Flow
studio preparation woodblock carving
Art in the Open 2014
Churn Ripple Flow
public participants carve woodblock panel along Schuylkill River
Churn Ripple Flow
participant with carved woodblock panel along Schuylkill River
Churn Ripple Flow
public participants carve woodblock panels along Schuylkill River
Churn Ripple Flow
participant carves woodblock panel along Schuylkill River
Churn Ripple Flow
Exhibition at Fairmount Waterworks 2015
Nine panel carved woodblock created along Schuylkill River during Art in the Open 2014
Vine Draw detail
Intertwined and fastened vines form a dimensional drawing that stands across an open space, visually intersecting with the backdrop of park, river and city.
Vine Draw 2011
Intertwined and fastened vines form a dimensional drawing that stands across an open space, visually intersecting with the backdrop of park, river and city.
Vine Draw detail
Vine Draw 2011
Vine Draw 2011
Vine Draw 2011
River Meditation
Art in the Open Schuylkill Banks Park, Philadelphia 2010
River Meditation project I - canvas viewfinder isolates a section of flowing river water, audio podcast with 3 minute guided meditation
River Meditation project II- polyester organza with burned markings, image of water movement made onsite over a 4 day period using incense sticks
River Meditation 2010
project I - canvas viewfinder isolates a section of flowing river water, audio podcast with 3 minute guided meditation
River Meditation detail 2010
River Meditation viewer 2010
River Meditation 2010
project II- polyester organza with burned markings, image of water movement made onsite over a 4 day period using incense sticks
River Meditation viewer 2010
River Meditation suspended 2010
River Meditation suspended along Schuylkill banks 2010
